{"id":211,"date":"2020-05-03T10:52:24","date_gmt":"2020-05-03T10:52:24","guid":{"rendered":"https:\/\/uni.hi.is\/aesas\/?page_id=211"},"modified":"2025-06-30T17:45:53","modified_gmt":"2025-06-30T17:45:53","slug":"curatorial-work","status":"publish","type":"page","link":"https:\/\/uni.hi.is\/aesas\/curatorial-work\/","title":{"rendered":"Curatorial Work"},"content":{"rendered":"<p><strong><u>2025<\/u><\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"q0HRWL6vxB\"><p><a href=\"https:\/\/snaebjornsdottirwilson.com\/projects\/seas-blue-yonder\/\">Seas&#8217; Blue Yonder \u2013 Sj\u00e1varbl\u00e1mi<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Seas&#8217; Blue Yonder \u2013 Sj\u00e1varbl\u00e1mi&#8221; &#8212; sn\u00e6bj\u00f6rnsd\u00f3ttir \/ wilson\" src=\"https:\/\/snaebjornsdottirwilson.com\/projects\/seas-blue-yonder\/embed\/#?secret=5fVZP4He1u#?secret=q0HRWL6vxB\" data-secret=\"q0HRWL6vxB\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>2024 Sj\u00e1varbl\u00e1mi. Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir &amp; Mark Wilson. S\u00fdning \u00ed Skaftfelli, Sey\u00f0isfir\u00f0i.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"GCXigoP8FA\"><p><a href=\"https:\/\/skaftfell.is\/2024\/06\/12\/the-seas-blue-yonder-bryndis-snaebjornsdottir-and-mark-wilson\/\">The Seas&#8217; Blue Yonder: Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir and Mark Wilson<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;The Seas&#8217; Blue Yonder: Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir and Mark Wilson&#8221; &#8212; Skaftfell\" src=\"https:\/\/skaftfell.is\/2024\/06\/12\/the-seas-blue-yonder-bryndis-snaebjornsdottir-and-mark-wilson\/embed\/#?secret=SC4TUMNbtR#?secret=GCXigoP8FA\" data-secret=\"GCXigoP8FA\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>2023 S\u00d8STERSKAP. PHOTOGRAPHES CONTEMPORAINES NORDIQUES. Les rencontres de la photographie , Arles, France<\/p>\n<p><a href=\"https:\/\/www.rencontres-arles.com\/fr\/expositions\/view\/1468\/sosterskap\">https:\/\/www.rencontres-arles.com\/fr\/expositions\/view\/1468\/sosterskap<\/a><\/p>\n<p>https:\/\/www.polkamagazine.com\/sosterskap-un-choeur-feministe-aux-rencontres-darles\/<\/p>\n<p>2023<em> Listm\u00edla tv\u00f6 \u00ed <\/em>H\u00e1sk\u00f3la \u00cdslands. S\u00fdningarstj\u00f3ri \u00e1samt Kristj\u00e1ni Steingr\u00edmi J\u00f3nssyni. S\u00fdning \u00far safneign Listasafns H\u00e1sk\u00f3la \u00cdslands \u00ed fimm byggingum sk\u00f3lans.<\/p>\n<p>2021-2022 Listasafni\u00f0 \u00e1 Akureyri. <em>V\u00edsitas\u00edur. Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir og Mark Wilson<\/em>. S\u00fdning og ni\u00f0urst\u00f6\u00f0ur Rann\u00edsverkefnisins <em>V\u00edsitas\u00edur. \u00cdsbirnir \u00e1 villig\u00f6tum<\/em>. S\u00fdningin f\u00f3r s\u00ed\u00f0an til Anchorage Museum, Anchorage. S\u00fdningin \u00e1 Akureyri f\u00e9kk ver\u00f0laun Myndlistarr\u00e1\u00f0s sem besta s\u00fdning \u00e1rsins 2021.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/listasafnak\/photos\/a.743122212376290\/5578618682159928\/?type=3\">https:\/\/www.facebook.com\/listasafnak\/photos\/a.743122212376290\/5578618682159928\/?type=3<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Listamannaspjall Ange Leccia \/ Artist talk Ange Leccia\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/7rMR_HLTu4A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400\">2017 - 2018 <\/span><i><span style=\"font-weight: 400\">Ange Leccia\/Contemporary French Video Art<\/span><\/i><span style=\"font-weight: 400\">. National Gallery Iceland and Akureyri Art Museum.<\/span><\/p>\n<p><a href=\"https:\/\/www.listasafn.is\/english\/exhibitions\/ange-leccia-1\"><span style=\"font-weight: 400\">https:\/\/www.listasafn.is\/english\/exhibitions\/ange-leccia-1<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"es\">\n<\/blockquote>\n<p><span style=\"font-size: 18pt\">2020 <strong><em>Listm\u00edla<\/em><\/strong><\/span><\/p>\n<p>https:\/\/www.facebook.com\/HaskoliIslands\/posts\/10156679910165728\/<\/p>\n<hr \/>\n<h1><span style=\"font-size: 18pt\"><span style=\"font-weight: 400\">2019 <\/span><strong><i>Talk to Me!<\/i><\/strong><span style=\"font-weight: 400\"> \u00a0<\/span><\/span><\/h1>\n<h4><span style=\"font-weight: 400\">Latvian contemporary art from the National Museum of Art <\/span>\u00a0(<span style=\"font-weight: 400\">LNMA).<\/span><br \/>\n<strong>Akureyri Art Museum<br \/>\n<\/strong>Galleries 01 - 05<br \/>\nJune 1 - September 22 2019<\/h4>\n<p>On August 23\u02b3\u1d48 1989, Latvians joined their neighbouring citizens in protest against the imperial rule of the Soviet Union, by forming a human chain connecting the three Baltic capitals: Vilnius, Riga and Tallinn. This symbolic assembly of silent bodies became known as\u00a0<em>The Chain of Freedom<\/em>. Two years\u00a0later, Iceland became the first country in the world to recognize the independence of Latvia.<\/p>\n<p>Insisting on the fact that freedom is essentially based on relations, Latvian artists are questioning their identity and searching for a livable future. The\u00a0exhibition\u00a0<em>Tala\u00f0u vi\u00f0 mig! \/ Run\u0101 ar mani! \/ Talk to Me!<\/em>\u00a0implies that the contemporary art museum can act as a stage where dialectics of intimacy and\u00a0political memory can be reinforced in order to elucidate the enigmas of our futures.<\/p>\n<p>Participants: Andris Bre\u017ee, Arturs B\u0113rzi\u0146\u0161, Dace D\u017eeri\u0146a, \u0122irts Mui\u017enieks, Ieva Epnere, Inga Meldere, Katr\u012bna Neiburga, Kaspars Podnieks, Kri\u0161s Salmanis, Kristaps Epners, Kristaps \u0122elzis, Leonards Laganovskis, Maija Kur\u0161eva, M\u0101rti\u0146\u0161 Ratniks, Raitis \u0160mits, Rasa \u0160mite, Vija Celmi\u0146\u0161, Vilnis Z\u0101bers and Zenta Dzividzinska.<\/p>\n<p>Curators: Astrida Rogule and \u00c6sa Sigurj\u00f3nsd\u00f3ttir.<\/p>\n<p><a href=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-276\" src=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-3-1-300x152.jpg\" alt=\"\" width=\"300\" height=\"152\" srcset=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-3-1-300x152.jpg 300w, https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-3-1.jpg 315w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>https:\/\/www.lv100.lv\/en\/news\/akureyri-art-museum-is-opening-the-exhibition-of-latvian-contemporary-art\/<\/p>\n<p><a href=\"http:\/\/rixc.org\/en\/home___\/0\/691\/\"><span style=\"font-weight: 400\">http:\/\/rixc.org\/en\/home___\/0\/691\/<\/span><\/a><\/p>\n<p><a href=\"http:\/\/icelandicartcenter.is\/blog\/taladu-vid-mig\/\"><span style=\"font-weight: 400\">http:\/\/icelandicartcenter.is\/blog\/taladu-vid-mig\/<\/span><\/a><\/p>\n<p><a href=\"https:\/\/artzine.is\/conversations-with-contemporary-latvian-art-in-akureyri\/\"><span style=\"font-weight: 400\">https:\/\/artzine.is\/conversations-with-contemporary-latvian-art-in-akureyri\/<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.baltictimes.com\/akureyri_art_museum_is_opening_the_exhibition_of_latvian_contemporary_art__tala_u_vi__mig__\/_runa__ar_mani__\/_talk_to_me__\/\"><span style=\"font-weight: 400\">https:\/\/www.baltictimes.com\/akureyri_art_museum_is_opening_the_exhibition_of_latvian_contemporary_art__tala_u_vi__mig__\/_runa__ar_mani__\/_talk_to_me__\/<\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt\"><strong>2016 <i>Feckless and Hotheaded<\/i><\/strong><\/span><span style=\"font-weight: 400\"> \u2013 Guest Curator for <\/span><i><span style=\"font-weight: 400\">Curated by_<\/span><\/i><span style=\"font-weight: 400\">in <\/span><i><span style=\"font-weight: 400\">Vienna<\/span><\/i><span style=\"font-weight: 400\">, Austria<\/span><a href=\"http:\/\/icelandicartcenter.is\/blog\/13590\/\"> <span style=\"font-weight: 400\">http:\/\/icelandicartcenter.is\/blog\/13590\/<\/span><\/a><\/p>\n<p>https:\/\/curatedby.squarespace.com\/articles\/curated-by-aesa-sigurjonsdottir<\/p>\n<p>R\u00d3SKA (Ragnhildur \u00d3skarsd\u00f3ttir) (*1940 \u2013 1996 Iceland) studied at the Icelandic College of Arts and Crafts as well as in Prague and Paris before enrolling in L\u00b4Academia di Belle Arti in Rome. She belonged to the generation of radical European artists who wished to expunge the boundaries between life and art, fighting against the artistic snobbery of the bourgeoisie, the political complacency of the masses, and the propaganda machinery of professional politicans. R\u00f3ska was a painter, a photographer, a film director, an insurrectionist. She lived in Rome for the majority of her life.<\/p>\n<p>https:\/\/curatedby.at\/articles\/curated-by-aesa-sigurjonsdottir<\/p>\n<p>https:\/\/curatedby.squarespace.com\/articles\/curated-by-aesa-sigurjonsdottir<\/p>\n<p>&nbsp;<\/p>\n<p>https:\/\/www.facebook.com\/142836059121154\/photos\/a.1163500487054701\/1163501063721310\/?type=3https:\/\/www.facebook.com\/pg\/Galerie-Raum-mit-Licht-142836059121154\/photos\/?tab=album&album_id=1163500487054701<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"es\">Hoy, recordamos la conversaci\u00f3n entre Abigail Solomon-Godeau y \u00c6sa Sigurj\u00f3nsd\u00f3ttir<br \/>\nL\u00e9elas aqu\u00ed \u2b07\ufe0f:<a href=\"https:\/\/t.co\/PrMjuR1cl8\">https:\/\/t.co\/PrMjuR1cl8<\/a><a href=\"https:\/\/twitter.com\/hashtag\/FotoColectaniaVirtual?src=hash&amp;ref_src=twsrc%5Etfw\">#FotoColectaniaVirtual<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/CorrespondenciasFotoColectania?src=hash&amp;ref_src=twsrc%5Etfw\">#CorrespondenciasFotoColectania<\/a> <a href=\"https:\/\/twitter.com\/FBSabadell?ref_src=twsrc%5Etfw\">@FBSabadell<\/a> <a href=\"https:\/\/twitter.com\/damm?ref_src=twsrc%5Etfw\">@damm<\/a> <a href=\"https:\/\/t.co\/wSByO6nynW\">pic.twitter.com\/wSByO6nynW<\/a><\/p>\n<p>\u2014 Fundaci\u00f3 Foto Colectania (@fotocolectania) <a href=\"https:\/\/twitter.com\/fotocolectania\/status\/1253610535221964800?ref_src=twsrc%5Etfw\">April 24, 2020<\/a><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400\">2015<\/span><strong><i> Marginalia \u2013 texts, sketches, and doodles in Kjarval\u2019s art. <\/i><\/strong><span style=\"font-weight: 400\">Reykjav\u00edk Art Museum 19 June - 29 Nov. 2015<\/span><\/h3>\n<p>\u201cI see myself writing, and I hear the pen on the paper.\u201d<\/p>\n<section id=\"block-system-main\" class=\"block block-system clearfix collapsiblock-processed\">\n<div class=\"block-content\">\n<div class=\"ds-1col node node-syningar view-mode-full clearfix\">\n<div class=\"col-xs-12 col-md-4 t-nog mb-20 pull-right\">\n<div class=\"field field-name-body field-type-text-with-summary field-label-hidden\">\n<div class=\"field-items\">\n<div class=\"field-item even\">\n<p>Kjarval\u2019s words could be taken as the theme of his exhibition \u2013 as they focus attention on the material, the method and the imagination. We see Kjarval at work with his pen or brush in hand: he draws, writes; sketches in ink, pencil or tusch. On all kinds of paper he draws lines \u2013 delicate or raw, silent or aggressive.<br \/>\nThe title Marginalia refers to peripheral entries in the margins of a body text, as often seen in old manuscripts, and vividly described by Umberto Eco in The Name of the Rose: \u201cThis was a psalter in whose margins was delineated a world reversed with respect to the one to which our senses have accustomed us.\u201d \u00a0Thus Kjarval\u2019s marginal world is manifested in letters and notebooks, on the backs of envelopes and all sorts of scraps of paper, like a topsy-turvy universe seen in \u201cwondrous<br \/>\nallusions in aenigmate.<\/p>\n<p>\u201d Drawings, sketches, scribbles and doodles, odd words and sentences, drafts of letters, and notes written to friends and acquaintances: it requires some patience to read this material \u2013 although it has been scanned and categorised, and is accessible for the first time in digital form. The pieces are about anything and everything \u2013 sometimes nothing at all \u2013 and they survive purely because they relate to Kjarval, forming a background or haunting presence in his life.<br \/>\nKjarval\u2019s tendency to hoard anything and everything has often been mentioned \u2013 he wrote and drew on any available surface, sent greetings and pictures all over the country, he \u201ccorresponded\u201d as it was called in the old days of letter-writing.<br \/>\nNobel-prizewinning novelist Halld\u00f3r Kiljan Laxness described how Kjarval \u201cspreads around him works of art with inexhaustible wealth, wherever he goes, without caring whether the material which has, by chance, become his medium on that occasion is appropriate to conserve the image; thus many of his masterpieces are made on poor-quality notebook-pages, paper napkins, lavatory paper and other such inferior materials, which deteriorate rapidly.\u201d<\/p>\n<p>A remarkable amount of such material has, however, survived, and this exhibition delves into this personal world of Kjarval\u2019s \u2013 presenting a large number of drawings and a variety of writings in which text is integrated with images. Many of the pieces appear spontaneous and chaotic, reflecting Kjarval\u2019s unceasing creative urge and his restless mind. Some display a more personal and darker side than the familiar face of the artist; the exhibition also includes items such as drafts of letters, which provide insight into his diverse and rewarding relationship with the people of Iceland, as well as sketches on envelopes which he would develop into new works. Here we catch a glimpse of the artist\u2019s many sides: the writer, the poet, the coiner of new words, the friend and companion \u2013 and above all the artist who will always take us by surprise.<\/p>\n<p>J\u00f3hannes S. Kjarval (1885\u22121972) var\u00f0 go\u00f0s\u00f6gn \u00ed lifanda l\u00edfi sem m\u00e1lari st\u00f3rbrotinna landslagsmynda og skapari sk\u00e1ldlegra fantas\u00eduheima. Enginn \u00edslenskur myndlistarma\u00f0ur hefur veri\u00f0 \u00ed sl\u00edkum h\u00e1vegum haf\u00f0ur me\u00f0 \u00fej\u00f3\u00f0 sinni og hann. Hann var tigna\u00f0ur sem sj\u00e1andi og snillingur. Allir \u00fe\u00f3ttust eiga \u00ed honum bein og menn n\u00e1nast sl\u00f3gust um a\u00f0 komast yfir verk hans.\u00a0\u00dea\u00f0 hins vegar \u00e1 f\u00e6rra vitor\u00f0i a\u00f0 hann var s\u00edskrifandi og fram\u00farskarandi teiknari. Eftir hann liggur umfangsmiki\u00f0 safn af teikningum, skissum, sendibr\u00e9fum og handritum.\u00a0\u00deetta hversdagsefnis listamannsins opnar glufur inn \u00ed einkaheim sem fram til \u00feessa hefur veri\u00f0 almenningi l\u00edtt kunnur. \u00cd huga hans var texti ekki ofar mynd, e\u00f0a mynd \u00fatf\u00e6rsla \u00e1 texta, heldur var samruni skriftar og teikningar a\u00f0fer\u00f0 til a\u00f0 sprengja upp fl\u00f6tinn og afnema m\u00f6rk myndlistar og ritlistar. Vi\u00f0 sj\u00e1um Kjarval lj\u00f3slifandi a\u00f0 st\u00f6rfum me\u00f0 penna e\u00f0a pensil \u00e1 lofti. Hann teiknar og skrifar, yrkir lj\u00f3\u00f0, kastar fram t\u00e6kif\u00e6risv\u00edsu, ritar sendibr\u00e9f, rissar upp hugmyndir og hripar skilabo\u00f0 \u00e1 umslag e\u00f0a papp\u00edrssnifsi me\u00f0 bleki, bl\u00fdanti e\u00f0a t\u00fassi, \u00e6t\u00ed\u00f0 af styrk og sk\u00f6punarkrafti sem \u00e1 s\u00e9r vart sinn l\u00edka \u00ed \u00edslenskri listas\u00f6gu.<\/p>\n<p>Curators: \u00c6sa Sigurj\u00f3nsd\u00f3ttir and Krist\u00edn Gu\u00f0nad\u00f3ttir.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-xs-12 col-md-8 nog\">\n<div class=\"col-xs-12 col-sm-3 m-nog-d-nog-l exhib-items\">\n<div class=\"field field-name-field-listamadur-a-syningu field-type-entityreference field-label-above\">\n<div class=\"field-items\">\n<div class=\"field-item even\">\n<div class=\"ds-1col node node-listamadur view-mode-simple_list clearfix\">\n<div class=\"field field-name-title field-type-ds field-label-hidden\">\n<div class=\"field-items\">\n<div class=\"field-item even\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section id=\"block-lsr-instagram-lsr-instagram-block\" class=\"block block-lsr-instagram mb-30 clearfix collapsiblock-processed\">\n<div class=\"block-content\">\n<div class=\"view-teaser\"><\/div>\n<\/div>\n<\/section>\n<section id=\"block-views-vidburdir-tengdir-syningu-block\" class=\"block block-views row clear-both row-h mb-30 lk-a-bl clearfix collapsiblock-processed\">\n<div class=\"block-title-wr\"><\/div>\n<\/section>\n<p><a href=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-281\" src=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-6.jpg\" alt=\"\" width=\"275\" height=\"183\" \/><\/a> <a href=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-282\" src=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-5-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" srcset=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-5-300x159.jpg 300w, https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-5.jpg 308w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> <a href=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-4-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-283\" src=\"https:\/\/uni.hi.is\/aesas\/files\/2020\/05\/download-4-1.jpg\" alt=\"\" width=\"262\" height=\"192\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.artmuseum.is\/desktopdefault.aspx\/tabid-2182\/3369_read-1988\/date-1805\/\"><span style=\"font-weight: 400\">http:\/\/www.artmuseum.is\/desktopdefault.aspx\/tabid-2182\/3369_read-1988\/date-1805\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">2015<\/span><i><span style=\"font-weight: 400\"> Interplay<\/span><\/i><span style=\"font-weight: 400\">. <\/span><i><span style=\"font-weight: 400\">Sigurj\u00f3n \u00d3lafsson &amp; Finn Juhl. Thinking across sculpture and design. <\/span><\/i><span style=\"font-weight: 400\">Reykjav\u00edk: Listasafn Sigurj\u00f3ns \u00d3lafssonar\/National Gallery of Iceland. <\/span><a href=\"http:\/\/www.listasafn.is\/english\/exhibitions\/nr\/351\"><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">http:\/\/www.listasafn.is\/english\/exhibitions\/nr\/351<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">2014 <\/span><i><span style=\"font-weight: 400\">Tracks in Sand. Retrospective <\/span><\/i><span style=\"font-weight: 400\">Sigurj\u00f3n \u00d3lafsson. National Gallery of Iceland<\/span><a href=\"http:\/\/www.listasafn.is\/english\/exhibitions\/nr\/316\"> <span style=\"font-weight: 400\">http:\/\/www.listasafn.is\/english\/exhibitions\/nr\/316<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2014 <\/span><i><span style=\"font-weight: 400\">(Re) construction of Friendship<\/span><\/i><span style=\"font-weight: 400\">. Riga European Capital of Culture<\/span><a href=\"https:\/\/artspacereconstruction.wordpress.com\/reconstruction-of-friendship\/\"> <span style=\"font-weight: 400\">https:\/\/artspacereconstruction.wordpress.com\/reconstruction-of-friendship\/<\/span><\/a><\/p>\n<p><a href=\"http:\/\/www.echogonewrong.com\/review-from-latvia\/dubious-friendships-on-the-reconstruction-of-friendship-exhibition-in-riga\/\"><span style=\"font-weight: 400\">http:\/\/www.echogonewrong.com\/review-from-latvia\/dubious-friendships-on-the-reconstruction-of-friendship-exhibition-in-riga\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2013: <\/span><i><span style=\"font-weight: 400\">Turku-biennale<\/span><\/i><span style=\"font-weight: 400\">, Aboa Vetus, Arts Nova.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Finland.<\/span><a href=\"http:\/\/www.turkubiennaali.fi\/\"> <span style=\"font-weight: 400\">http:\/\/www.turkubiennaali.fi\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2013: <\/span><a href=\"http:\/\/maba.fnagp.fr\/actualite\/117\/en-thule-froiduleuse-aspects-de-la-scene-artistique-islandaise-contemporaine\/\"><i><span style=\"font-weight: 400\">En Thule froiduleuse<\/span><\/i><\/a><span style=\"font-weight: 400\">. FNAGP (Fondation Nationale des Arts Graphiques et Plastiques)<\/span><a href=\"http:\/\/maba.fnagp.fr\/actualites\/?year=2013\"> <span style=\"font-weight: 400\">http:\/\/maba.fnagp.fr\/actualites\/?year=2013<\/span><\/a><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"LiX61Vf2Qp\"><p><a href=\"https:\/\/www.fondationdesartistes.fr\/evenement\/maba\/en-thule-froiduleuse-aspects-de-la-scene-artistique-islandaise-contemporaine\/\">EN THUL\u00c9 FROIDULEUSE, ASPECTS DE LA SC\u00c8NE ARTISTIQUE ISLANDAISE CONTEMPORAINE<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0EN THUL\u00c9 FROIDULEUSE, ASPECTS DE LA SC\u00c8NE ARTISTIQUE ISLANDAISE CONTEMPORAINE\u00a0\u00bb &#8212; Fondation des Artistes\" src=\"https:\/\/www.fondationdesartistes.fr\/evenement\/maba\/en-thule-froiduleuse-aspects-de-la-scene-artistique-islandaise-contemporaine\/embed\/#?secret=Uzf6milHMM#?secret=LiX61Vf2Qp\" data-secret=\"LiX61Vf2Qp\" width=\"474\" height=\"267\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><a href=\"https:\/\/www.exporevue.com\/magazine\/fr\/index_thule.html\"><span style=\"font-weight: 400\">http:\/\/maba.fnagp.fr\/actualite\/117\/en-thule-froiduleuse-aspects-de-la-scene-artistique-islandaise-contemporaine\/<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.exporevue.com\/magazine\/fr\/index_thule.html\"><span style=\"font-weight: 400\">https:\/\/www.exporevue.com\/magazine\/fr\/index_thule.html<\/span><\/a><\/p>\n<p>https:\/\/www.facebook.com\/pg\/Galerie-Raum-mit-Licht-142836059121154\/photos\/?tab=album&album_id=1163500487054701<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">2010 <\/span><i><span style=\"font-weight: 400\">Reality Check<\/span><\/i><span style=\"font-weight: 400\">. Reykjav\u00edk Art Festival<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.studija.lv\/en\/?parent=1073\"><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">http:\/\/www.studija.lv\/en\/?parent=1073<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2008: <\/span><a href=\"https:\/\/listasafnreykjavikur.is\/sites\/default\/files\/syningarskra\/2008draumarumaegifegurdiislenskrisamtimalistbok.pdf\"><i><span style=\"font-weight: 400\">Dreams of the Sublime in contemporary Icelandic art<\/span><\/i><\/a><span style=\"font-weight: 400\">, in Reykjav\u00edk Art Museum<\/span><\/p>\n<p><a href=\"https:\/\/artmuseum.is\/exhibitions\/dreams-sublime-and-nowhere-contemporary-icelandic-art\"><span style=\"font-weight: 400\">https:\/\/artmuseum.is\/exhibitions\/dreams-sublime-and-nowhere-contemporary-icelandic-art<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2008: <\/span><i><span style=\"font-weight: 400\">Dreams of the Sublime in contemporary Icelandic art<\/span><\/i><span style=\"font-weight: 400\">, Bozar, Brussel<\/span><a href=\"http:\/\/artdaily.com\/news\/25419\/Dreams-of-the-Sublime-and-Nowhere-in-Contemporary-Icelandic-Art#.VN2u0caN968\"> <span style=\"font-weight: 400\">http:\/\/artdaily.com\/news\/25419\/Dreams-of-the-Sublime-and-Nowhere-in-Contemporary-Icelandic-Art#.VN2u0caN968<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">2009: <\/span><i><span style=\"font-weight: 400\">Dreams of the Sublime in contemporary Icelandic art<\/span><\/i><span style=\"font-weight: 400\">, Kunsti Art Museum, Vaasa, Finland.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025 Seas&#8217; Blue Yonder \u2013 Sj\u00e1varbl\u00e1mi &nbsp; 2024 Sj\u00e1varbl\u00e1mi. Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir &amp; Mark Wilson. S\u00fdning \u00ed Skaftfelli, Sey\u00f0isfir\u00f0i. The Seas&#8217; Blue Yonder: Brynd\u00eds Sn\u00e6bj\u00f6rnsd\u00f3ttir and Mark Wilson 2023 S\u00d8STERSKAP. PHOTOGRAPHES CONTEMPORAINES NORDIQUES. Les rencontres de la photographie , Arles, France &hellip; <a href=\"https:\/\/uni.hi.is\/aesas\/curatorial-work\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":154,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-211","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/pages\/211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/users\/154"}],"replies":[{"embeddable":true,"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":30,"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/pages\/211\/revisions"}],"predecessor-version":[{"id":328,"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/pages\/211\/revisions\/328"}],"wp:attachment":[{"href":"https:\/\/uni.hi.is\/aesas\/wp-json\/wp\/v2\/media?parent=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}