{"id":882,"date":"2016-08-08T15:00:48","date_gmt":"2016-08-08T15:00:48","guid":{"rendered":"http:\/\/uni.hi.is\/rhv\/?p=882"},"modified":"2016-08-08T15:03:34","modified_gmt":"2016-08-08T15:03:34","slug":"nonfictionow-bodsfyrirlesarar-og-radstefnukall","status":"publish","type":"post","link":"https:\/\/uni.hi.is\/rhv\/2016\/08\/08\/nonfictionow-bodsfyrirlesarar-og-radstefnukall\/","title":{"rendered":"NonfictioNOW: Bo\u00f0sfyrirlesarar og r\u00e1\u00f0stefnukall"},"content":{"rendered":"<p><strong>Al\u00fej\u00f3\u00f0lega r\u00e1\u00f0stefnan NonfictioNOW ver\u00f0ur haldin \u00ed Reykjav\u00edk 2.\u20134. j\u00fan\u00ed 2017 og ver\u00f0ur \u00fear fjalla\u00f0 um \u00f3sk\u00e1ldu\u00f0 skrif af \u00fdmsu tagi. B\u00faist er vi\u00f0 400\u2013500 gestum og a\u00f0 m\u00e1lstofur ver\u00f0i ekki f\u00e6rri en 60. A\u00f0alfyrirlesarar koma \u00far \u00fdmsum \u00e1ttum og eiga \u00fea\u00f0 sameiginlegt a\u00f0 hafa veri\u00f0 miki\u00f0 \u00ed umr\u00e6\u00f0unni undanfari\u00f0. \u00deau eru:<\/strong><\/p>\n<p>Gretel Ehrlich er h\u00f6fundur 15 b\u00f3ka, \u00fe.\u00e1 m. ver\u00f0launab\u00f3karinnar <em>Solace of Open Spaces<\/em>. Af \u00f6\u00f0rum b\u00f3kum hennar m\u00e1 nefna <em>This Cold Heaven, Seven Seasons in Greenland<\/em> og hennar n\u00fdjustu b\u00f3k, <em>Facing the Wave<\/em>, sem hlaut PEN USA ver\u00f0launin fyrir \u00f3sk\u00e1lda\u00f0 efni. Verk Ehrlich hafa veri\u00f0 birt \u00ed m\u00f6rgum virtum t\u00edmaritum, s.s. Harpers, The New York Times Magazine, Time, Life og The National Geographic.<\/p>\n<p><strong>Wayne Koestenbaum<\/strong> er m.a. h\u00f6fundur \u00f3sk\u00e1ldu\u00f0u b\u00f3kanna <em>Humiliation<\/em>, <em>Cleavage: Essays on Sex, Stars, and Aesthetics<\/em> og <em>The Queen\u2019s Throat: Opera, Homosexuality, and the Mystery of Desire<\/em> sem var tilnefnd til National Book Critics Circle ver\u00f0launanna. Hann hefur einnig skrifa\u00f0 tv\u00e6r sk\u00e1lds\u00f6gur og ort lj\u00f3\u00f0.<\/p>\n<p><strong><a href=\"http:\/\/uni.hi.is\/rhv\/files\/2016\/08\/Karl-Ove-Knausgard-in-Hel-011.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-883\" src=\"http:\/\/uni.hi.is\/rhv\/files\/2016\/08\/Karl-Ove-Knausgard-in-Hel-011-300x180.jpg\" alt=\"Karl-Ove-Knausgard-in-Hel-011\" width=\"300\" height=\"180\" srcset=\"https:\/\/uni.hi.is\/rhv\/files\/2016\/08\/Karl-Ove-Knausgard-in-Hel-011-300x180.jpg 300w, https:\/\/uni.hi.is\/rhv\/files\/2016\/08\/Karl-Ove-Knausgard-in-Hel-011.jpg 460w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Karl Ove Knausgaard<\/strong> er Nor\u00f0ma\u00f0ur sem hefur vaki\u00f0 verulega athygli fyrir sex binda \u00e6vis\u00f6gulega sk\u00e1lds\u00f6gu, <em>Min Kamp<\/em>. \u00dear \u00feurrkar hann \u00fat m\u00f6rkin milli \u00f3sk\u00e1lda\u00f0s og sk\u00e1lda\u00f0s efnis og hafa sumir gagnr\u00fdnendur sagt a\u00f0 \u00feessi verk hans s\u00e9u me\u00f0al merkilegustu b\u00f3kmenntaverka 21. aldar.<\/p>\n<p><strong>Maxine Beneba Clarke<\/strong> kemur fr\u00e1 \u00c1stral\u00edu og \u00feykir vera me\u00f0 \u00e1hugaver\u00f0ustu h\u00f6fundum sem fram hafa komi\u00f0 \u00e1 undanf\u00f6rnum \u00e1rum. H\u00fan er er \u00feekkt fyrir a\u00f0 vera talandi sk\u00e1ld og er h\u00f6fundur margver\u00f0launa\u00f0s sm\u00e1sagnasafns, Foreign Soil. \u00c1 \u00feessu \u00e1ri er svo von \u00e1 \u00e6vis\u00f6gu sem margir b\u00ed\u00f0a spenntir eftir, <em>The Hate Race.<\/em><\/p>\n<p>R\u00e1\u00f0stefnukall hefur n\u00fa veri\u00f0 sett \u00ed lofti\u00f0 og rennur frestur til a\u00f0 senda inn hugmyndir a\u00f0 m\u00e1lstofum \u00fat 31. \u00e1g\u00fast 2016. Senda m\u00e1 inn hugmyndir \u00ed gegnum \u00feessa vefsl\u00f3\u00f0:\u00a0<a href=\"https:\/\/nonfictionow.submittable.com\/submit\" target=\"_blank\">https:\/\/nonfictionow.submittable.com\/submit<\/a>. H\u00e9r fyrir ne\u00f0an m\u00e1 sj\u00e1 r\u00e1\u00f0stefnukalli\u00f0 sj\u00e1lft.<\/p>\n<p><strong>Call for panels<\/strong><\/p>\n<p>Suggested topics include, but are not restricted to, explorations of:<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nonfiction in translation<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nonfiction as translation<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 nonfiction genres and their boundaries and tensions, including but not limited to: essay (personal, narrative, lyric, collage, interdisciplinary, etc.); memoir; immersion writing; history; biography; long-form journalism; travel writing; food writing; nonfiction poetry; sports writing; hybrids of fiction and nonfiction<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 non-traditional forms of nonfiction, including but not limited to: performance, documentary, radio, video, hypertext, programmable media and graphic forms<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 regional, national, and\/or international characteristics and issues that are expressed through nonfiction genres<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 threads of influence, style, and discourse, with a focus on important authors or on historical\/cultural\/theoretical trends<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 the poetics of nonfiction<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 representations of self and other in nonfiction<\/p>\n<p>Please note:<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0We especially encourage international and culturally diverse panels.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0We encourage panels conceived as lively, discursive, playful and interactive \u2013 as against readings of a succession of individual papers.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Individuals may appear on up to 3 panel proposals and may present on 2. If all 3 are accepted, they will have to drop off 1 of them.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0The conference cannot fund any presenters, but we will provide travel tips to make the trip more affordable.\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 After successful panels have been announced, we will encourage meetups on Facebook\u2019s Friends of NonfictioNOW page (https:\/\/www.facebook.com\/groups\/129840321129\/), so that people without a panel can find one, and panels with cancellations can fill them.<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 To help facilitate international diversity, we will give preference to 3\u20134 member panels that indicate their willingness to include additional panellists.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 After final panel line-ups are settled, it will be the role of each panel Chair to finalise, confirm and coordinate panels, as well as provide final panel information for the conference program.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bear in mind when proposing discussion topics that after panel acceptances, we will open up a call for roundtable presentations (in Icelandic, h\u00faslestur), or fireside chats on:<\/p>\n<p>o\u00a0\u00a0 Truth in nonfiction<\/p>\n<p>o\u00a0\u00a0 Translation<\/p>\n<p>o\u00a0\u00a0 Teaching<\/p>\n<p>o\u00a0\u00a0 Hybrid and multimedia forms<\/p>\n<p>&nbsp;<\/p>\n<p>All proposals should include a panel title, 150-word pr\u00e9cis, 150-word statement of merit, and 50-word, program-ready biographical note for each participant by 31 August 2016<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Al\u00fej\u00f3\u00f0lega r\u00e1\u00f0stefnan NonfictioNOW ver\u00f0ur haldin \u00ed Reykjav\u00edk 2.\u20134. j\u00fan\u00ed 2017 og ver\u00f0ur \u00fear fjalla\u00f0 um \u00f3sk\u00e1ldu\u00f0 skrif af \u00fdmsu tagi. B\u00faist er vi\u00f0 400\u2013500 gestum og a\u00f0 m\u00e1lstofur ver\u00f0i ekki f\u00e6rri en 60. A\u00f0alfyrirlesarar koma \u00far \u00fdmsum \u00e1ttum og eiga \u00fea\u00f0 sameiginlegt a\u00f0 hafa veri\u00f0 miki\u00f0 \u00ed umr\u00e6\u00f0unni undanfari\u00f0. \u00deau eru: Gretel Ehrlich er h\u00f6fundur [&hellip;]<\/p>\n","protected":false},"author":420,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-882","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/posts\/882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/users\/420"}],"replies":[{"embeddable":true,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/comments?post=882"}],"version-history":[{"count":3,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/posts\/882\/revisions"}],"predecessor-version":[{"id":886,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/posts\/882\/revisions\/886"}],"wp:attachment":[{"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/media?parent=882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/categories?post=882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uni.hi.is\/rhv\/wp-json\/wp\/v2\/tags?post=882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}